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The acceptance of loss
A critical paper: towards an understanding of ethno-graphy.
In misc folder 7.
None of Us is Yet a Robot: Five Performances on Gender Identity and the Politics of Transition
Charts artist and performer Emma Frankland's gender transition against a shifting social and political landscape, while grappling with the systematic erasure of trans history.
Part of Library of Performing Rights (P3041).
From Brass Bands to Buskers: Street Music in the UK
Report about the Arts and Humanities Resarch Council funded prject.
Of Other Spaces - Where Does Gesture Become Event?
Resonating with the ethos of open dialogue and the experimentation of women artists’ collectives in the 1970s and 1980s, the publication constructs a dynamic, open, and collaborative arena that foregrounds practices of resistance, collectivity, and self-organization. Exhibition catalogue: Cooper Gallery, 28 October 2016 – 16 December 2016.
Part of Library of Performing Rights (P3041).
Queer Magic: LGBT+ Spirituality and Culture from Around theWorld
A unique resource for LGBT+ spiritual seekers who want to experience the sustaining energy and strength of the worldwide queer community.
The Sound of Culture: Diaspora and Black Technopoetics
Explores the histories of race and technology in a world made by slavery, colonialism, and industrialization. Beginning in the late nineteenth century and moving through to the twenty-first, the book argues for the dependent nature of those histories.
Christoph Schlingensief: Art without Borders
Consisting of twelve chapters written by leading scholars in the field, and a long interview with Schlingensief himself, the book will provide the reader with the first comprehensive study of the intriguing body of work that Schlingensief has developed over the last thirty years.
Part of Library of Performing Rights (P3041).
Queer Phenomenology: Orientations, Objects, Others
A queer phenomenology, Ahmed contends, reveals how social relations are arranged spatially, how queerness disrupts and reorders these relations by not following the accepted paths, and how a politics of disorientation puts other objects within reach, those that might, at first glance, seem awry.
Goat Cut Piece
The artist collaborates with a goat to re-enact performance artist Yoko Ono’s famous work from 1964, Cut Piece.
Part of Life Art Library at MIF 2019: Animals of Manchester; Saturday 20 and Sunday 21 July 2019.
40x40x40x40
A publication documenting the first 40 years of Artsadmin.
