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Emergency INDEX Vol 5
In each annual volume, contributors document works made in the previous year. By including performances regardless of their country of origin, genre, aims, or popularity, INDEX reveals the breathtaking variety of practices used in performance work today.
Media Parasites in the Early Avant-Garde: On the Abuse of Technology and Communication
Niebisch retraces how the early Avant-Garde movements started out as parasites inhabiting and irritating the emerging mass media circuits of the press, cinema, and wired and wireless communication.
Regina José Galindo documentation
Includes:
– Artist bio & CV
– Hermana, 2010, 1'50''
– Himenoplastia, 2004, 7'21''
– Juegos de poder, 2009, 11'10''
– La Verdad, 2013, 1:10'
– Lucha, 2002, 3'38''
– Perra, 2005, 5'31''
Glimpses of Before 1970s Performance Art in the UK - Images
Images related to the Study Room Guide on Performance in the UK in the 1970 (P2947).
Contains separate folders for each artist + a word document with image credits.
Performing Idea Symposium documentation
Video documentation of contributions to the Performing Idea Symposium, investigating the shifting relations between performance practice and discourse, event and writing; Toynbee Studios, 5-9/10/2010.
Includes nine files, containing videos of contributions on In Silence, Performative Writing, Reciprocal Aesthetics and Living Archives.
Antidote to Oblivion
Phillips dicusses the making of Performance Art in Ireland: A History.
Third Area: A Feminist Reading of Performance at London’s ICA in the 1970s
A PhD thesis offering a new account of the emergence of performance forms, including Happenings, participatory art, performance art and performances for the camera, in visual art and related contexts at the ICA.
01.01.CM
The book presents over 100 covers of The Communist Manifesto, compiled from the Museum of Ordure’s collection. The launch included a sound performance by the Curator and Acting Director of the Museum of Ordure, R Y Sirb.
The Peterlee Project 1976-1977
Published on the occasion of Brisley’s exhibition State of Denmark at Modern Art Oxford, September-November 2014.
In Place of a Show
An account of Western theatre buildings in the 21st century: theatres stripped of their primary purpose, lying empty, preserved as museums, or demolished.
