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JARMAN (all this maddening beauty) and other plays
A collection of three radically poetic works for live performance. Includes JARMAN, Carthage/Cartagena), and The Orphan Sea.
Carolee’s
The second issue of The Magazine of the Artist’s Institute, dedicated to Carolee Schneemann
Performing Archives/Archives of Performance
Contributes to the ongoing critical discussions of performance and its disappearance, of the ephemeral and its reproduction, of archives and mediatised recordings of liveness.
Dust
Drawing on over five years worth of her own published and unpublished writing, the author has produced a sustained argument about the way in which history writing belongs to the currents of thought shaping the modern world.
LGBTQ+ Night-time Spaces: Past, Present & Future
Seventh issue in the Urban Pamphleteer series, gathering perspectives, provocations and vignettes on London’s LGBTQ+ night-time spaces
To Become Two: Propositions for Feminist Collective Practice
A research into the genealogy of political practice among different feminist movements from the 1970s to the present in Europe and Australia, resulting in a six-element film installation and accompanying exhibition catalog/reader.
Some Wear Leather, Some Wear Lace: The Worldwide Compendium of Postpunk and Goth in the 1980s
A book about the music, the individual, and the creativity of a worldwide community rather than theoretical definitions of a subculture, Some Wear Leather, Some Wear Lace considers a subject not often covered by academic books.
The Magic Forest
A collection of black and white photographs of the wooded area between the Fire Island communities of Cherry Grove and The Pines.
Performing Bodies in Pain: Medieval and Post-Modern Martyrs, Mystics, and Artists
Analyzes the cultural work of spectacular suffering in late-medieval France and the twenty-first century, reading recent dramatizations of torture and performances of self-mutilating conceptual art against late-medieval saint plays.
Part of the Library of Performing Rights (P3041)
Enduring Creation: Art, Pain, and Fortitude
Nigel Spivey takes on one of the greatest taboos in Western culture in this original work of cultural history: why is so much pain depicted in the art of the West?
