Catalogue > By Keyword > gender
741 results | Page 31 of 75
Breastcups
Documentation from the project by Zoë Gingell and Eve Dent; includes exhibition programme, blog posts, and The Guardian review.
Part of Live Art and Motherhood: A Study Room Guide on Live Art and the Maternal (P3025).
My Nana’s Wedding (Gown) Part One
Stills from the performance, which comprised of over 300 images and took place in 2 parts; part one is performed in a photography studio, with the photographer the only spectator.
Part of Live Art and Motherhood: A Study Room Guide on Live Art and the Maternal (P3025).
Feminist Art and the Maternal
The first work to critically examine the dilemmas and promises of representing feminist motherhood in contemporary art and visual culture.
Part of Live Art and Motherhood: A Study Room Guide on Live Art and the Maternal (P3025).
Patience
Explores the experience of being diagnosed with breast cancer while pregnant. Performace text.
Part of Live Art and Motherhood: A Study Room Guide on Live Art and the Maternal (P3025).
Maternal Metaphors
Exhibition catalogue: The Rochester Contemporary, 30/4-23/5 2004. Includes reproductions of artwork, critical essays and fiction.
Part of Live Art and Motherhood: A Study Room Guide on Live Art and the Maternal (P3025).
Sex, birth and death
Contains performance programme, performance texts and 3 CDs/DVDs, which include still images, a 6 minute edit and video of the full performance.
Part of Live Art and Motherhood: A Study Room Guide on Live Art and the Maternal (P3025).
Leaky Bodies and Boundaries: Feminism, Postmodernism and (Bio)Ethics
A feminist investigation into the marginalization of women within western discourse that denies female moral agency and embodiment.
Part of Live Art and Motherhood: A Study Room Guide on Live Art and the Maternal (P3025).
Theatre and Feminism
Tells the story of feminist performance theory. It explores key debates from its 40-year history, engages with the work of groundbreaking thinkers including Elin Diamond, Jill Dolan, Peggy Phelan and Elaine Aston, and includes case studies of recent performances by established and emerging feminist artists.
The Balls
Broadsheet for Lady Malcolm’s Servants’ Ball, the 2016 re-enactment of the 1920s and 1930s queer parties.
Theatre and History
This provocative book meets the supposedly ‘live’ practices of performance and the ‘no-longer-live’ historical past at their own dangerous crossroads. Focussing on the ‘and’ of the title, it addresses the tangled relations between the terms, practices, ideas, and aims embedded in these compatriot – but often oppositional – arts and acts of time.
