Catalogue > By Keyword > feminism
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Stigmata
The essays explore the broad range of poetico-philosophical questions that have long been circulating in the Cixousian universe: the self and the other, autobiographies of writing, love’s labors lost and found, sexual difference, feminism and feminine hours, the prehistory of the work of art and reading the visual arts, animal (w)rites and trans-species relations, literary theory, post-colonial theory, death and life.
Just Like a Woman and Old Dears documentation
Two LADA programmes, as part of the 2015 Sacred season at Chelsea Theatre, London, in November 2015.
Personal mapping whose responsibility is it?
Discusses outcomes of the author's curatorial and research project Fear and Gender in Public Space.
4 Radnor Terrace: A Woman’s Place
Publication accompanying the exhibition 56 Artillery Lane, Raven Row, 21 April-11 June 2017.
Future Histories
Programme for a 12-hour live art and video event at Kilmainham Gaol, responding to the iconic historical associations with the 1916 Rising. Curated by Niamh Murphy and Áine Phillips.
Girls Make Noise or Girls Make a Difference?
An Investigation into the political efficacy of Pussy Riot’s art.
“Caoineadh na mairbh”: Vocalising Memory and Otherness in the Early Performances of Alanna O’Kelly
From the special issue: Cultural Memory and the Remediation of Narratives of Irishness. In misc folder 7.
Os it My Body? - Selected Texts
Throughout the 1980s and early 90s, Gordon produced a series of writings on art and music. Ranging from neo-Conceptual artworks to broader forms of cultural criticism, these rare texts place her writing within the context of the artist-critics of her generation.
Feminism and Humour in Contemporary Art
Feminism and Humour in Contemporary Art exhibition catalogue. Margaret Lawrence Gallery – Victorian College of the Arts (VCA), Melbourne. 27 April to 25 May 2013
Bodily Remembrances: the performance of memory in recent works by Amanda Coogan
Provides a feminist reading of Yellow (2008) and How to explainthe sea to an uneaten potato (2008) in order to explore how her performances use corporeal strategies to engage with memory.
