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Native Strategies 1: So Funny It Hurts

Editor: Brian Getnick, Tanya Rubbak | Digital Reference: EF5348 | Type: Digital File

The first of 10 differently themed performance series and journals, aiming to invigorate and make globally visible Los Angeles’s performance art community.

Tranny Hotel

Digital Reference: EF5342 | Type: Digital File

A gathering of international transgender performers and their audiences in Liverpool in November 2011. Part of LADA screens.

Part of the Library of Performing Rights (P3041).

Uncertain Fragments

Artist/Author: Tim Etchells, Hugo Glendinning | Digital Reference: EF5339 | Type: Digital File

A video essay reflecting on the work and process of Forced Entertainment combining interview fragments, performance excerpts, backstage and rehearsal room material from diverse projects, focused around an excerpt from the group’s 2001 performance First Night.

Part of LADA Screens 15.

Afterlives

Digital Reference: EF5324 | Type: Digital File

An evening considering questions of archives and legacies through the art and lives of four extraordinary and influential artists who have died in recent years – Ian Hinchliffe, Rose Finn-Kelcey, Lol Coxhill and Roger Ely. Inspired by the acquistion of the Ian Hinchliffe archive by Queen Mary.

16 November 2017

Inside (Improvised performance)

Artist/Author: Tim Etchells | Digital Reference: EF5328 | Type: Digital File

A one-off 30 performance produced in relation to Teching Hsieh's Outdoor film. Part of LADA Screens 4.

Live art: Definition and documentation

Artist/Author: Nick Kaye | Reference: A0877 | Type: Article

Considers the inter‐disciplinarity of ‘Live Art’ as a field of work and as a performance practice.

From the British Live Art: Essays and Documentation issue.

Saboteur, Guerrilla, Pedestrian

Artist/Author: Mark Minchinton | Reference: A0873 | Type: Article

On group practice, space making in rehearsal, working with directors/actors. 

One Year Performance 1981–1982 (Outdoor Piece)

Artist/Author: Tehching Hsieh | Digital Reference: EF5327 | Type: Digital File

In his third one-year performance piece, from 26 September 1981 through 26 September 1982, Hsieh spent one year outside, not entering buildings or shelter of any sort, including cars, trains, airplanes, boats, or tents. 

This video was part of LADA Screens, and was available online between 12 and 26 October 2015.

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