Catalogue > By Keyword > curation
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40x40x40x40
A publication documenting the first 40 years of Artsadmin.
14-18 NOW: Summary of Evaluation
A report on the five-year programme; the story of an undertaking that brought together art and heritage.
How Aborigines Invented the Idea of Contemporary Art: Writings on Aboriginal Contemporary Art
The first anthology to chronicle the global critical reception of Aboriginal Art since the early 1980s, when the art world began to understand it as contemporary art.
Part of Library of Performing Rights (P3041)
The Exform
Tackles the excluded, the disposable and the nature of waste by looking to the future of art—the exform.
Curators’ Series 11 programme
For the 11th edition of DRAF Curators’ Series, guest curator Victor Wang 王宗孚 launches the Institute of Asian Performance Art (IAPA), an international network to deepen the awareness and understanding of the history of early performance art in Japan, Korea, China and Taiwan.
Black Attitudes
On Les Ballets Africains, Adzido, Phoenix and Irie! at Sadler's Wells, Autumn 1990.
“I’m Still Coming” Coming to Power 2016 & 1993
A dual catalogue and archival exposé that explores the pivotal exhibition, Coming to Power: 25 Years of Sexually X-Plicit Art By Women, originally curated by the late artist, Ellen Cantor, in 1993, along with its re-staging in 2016 by curator Pati Hertling and artist Julie Tolentino.
Part of the Library of Performing Rights (LPR) (P3041).
From Margin to Center: The Spaces of Installation Art
A study of installation art, from its marginalized beginnings in the late 1950s to its central position in today’s art world.
How Institutions Think: Between Contemporary Art and Curatorial Discourse
Reflections on how institutions inform art, curatorial, educational, and research practices while they shape the world around us.
Relational Aesthetics
Where does our current obsession for interactivity stem from? After the consumer society and the communication era, does art still contribute to the emergence of a rational society? Bourriaud attempts to renew our approach toward contemporary art by getting as close as possible to the artists works, and by revealing the principles that structure their thoughts: an aesthetic of the inter-human, of the encounter; of proximity, of resisting social formatting.
