Catalogue > By Keyword > criticism
338 results | Page 12 of 34
Towards a Poiesis of Critical Practice: 1000th LIVE and the politics of appearance
On the process and politics of live critical responses to a live stream of Forced Entertainment’s And on a Thousandth Night.
Creating by Annotating: The director’s notebooks of Jan Fabre and Jan Lauwers
Reversing the common understanding of annotation as a posterior act of adding information to already existing sources, this article argues that annotation also serves as a pre-performance procedure facilitating artistic creation.
The Regenerative Ruination of Romeo Castellucci
This article proposes an expanded understanding of Romeo Castellucci's radical performance work as a genuine theatre of ruins.
PRAXIS Vol 1: Of People, Place & Time
Taking two years of projects and initiatives by Heart of Glass, a national agency for collaborative and social practice based in St Helens, as its starting point, the publication explores the interface between theory and practice.
Does it Work?: The Æffect of Activist Art
Starting with the questions: Does it Work? and How Can We Know? this article explores the effect and affect, or affect, of activist art.
What’s the Use?: Constellations of Art, History and Knowledge - A Critical Reader
*currently unavailable*
Takes as a starting point the premise that art is best understood in dialogue with the social sphere, and examines how the exchange between art, knowledge and use has historically been set up and played out.
Catalogue - Venice International Performance Art Week 2014: Ritual Body - Political Body
Festival catalogue.
Revolting Subjects: Social Abjection and Resistance in Neoliberal Britain
Explores the processes through which specific populations are figured as ‘revolting’ as well as the practices through which these populations ‘revolt’ against their subjectification.
Part of the Study Room Guide on Live Art and class and cultural privilege. (P3152)
9.5 Theses on Art and Class : And Other Writings
Seeks to show how a clear understanding of class makes sense of what is at stake in a broad number of contemporary art’s most persistent debates, from definitions of political art, to the troubled status of “outsider” and street art, to the question of how we maintain faith in art itself in a dysfunctional world.
Part of the Study Room Guide on Live Art and class and cultural privilege. (P3152)
What We Made: Conversations on Art and Social Cooperation
Examines the activist, participatory, coauthored aesthetic experiences being created in contemporary art. In a series of fifteen conversations, artists comment on their experiences working cooperatively, joined at times by colleagues from related fields, including social policy, architecture, art history, urban planning, and new media.
Part of the Study Room Guide on Live Art and Displacement (P3107).
