This publication brings together four ways of looking at Glorious, and includes: a short film made in response to six performances of the show; a music video shot in and around Lancaster and Morecambe; a critical overview of the process behind two iterations of the project; and The Glorious Storybook, a collection of essays and images from throughout the process.

Part of the Library of Performing Rights (LPR) (P3041).

Grant Kester treats the relationship between art and democracy as pedagogical, performative, and ethical, he revives our understanding of the importance of civic engagement, solidarity, conversation, and public intervention.

Calls for full disclosure of corporate involvement in cultural events and examines how corporations, art institutions, and foundations are reshaping the cultural terrain. In turn, he also shows how that ground is destabilized by artists subverting these same institutions to create a heightened awareness of critical alternative

This publication is referenced in the Platform Study Room Guide (P1820)

Pictures and details of 2012 Festival performances

*currently unavailable*

Grant Kester treats the relationship between art and democracy as pedagogical, performative, and ethical, he revives our understanding of the importance of civic engagement, solidarity, conversation, and public intervention.

This catalogue was published as part of the exhibition “She’s a Tough old Broad – A Social History of Metro Arts”. Small catalogue in folder.

Leibniz, together with a host of guest artists, presents The Book of Blood, an ongoing performance and multi-performative experience that explores issues relating human rights and (dis)enfranchisement whilst aiming to facilitate the spectator’s active contribution in participation. Each visitor is invited to donate a drop of blood to be used as ink in the writing of the Universal Declaration of Human Rights into a thick, leather-bound book. This video and photographs are taken from PSI 12, Queen Mary, 2006. Includes a performance leaflet/document.

This catalogue re-contextualises a series of public projects implemented between 1998 and 2002 within the city of Vancouver, British Columbia.

The CD includes a powerpoint presentation of the work by the Irish/Canadian artist and a short biography and artist statement.

A collection of four videos documenting the result of a collaboration between Frenchmottershead and the members of Southwark community.