Discussion of Abramovic and Ulay collaborations

Documenting artists and researcher collaboration at Epstein Archive

5 collected articles based on an Arts Council funded research project into ‘scratch’. ‘work-in-progress’ and models of artist support. Also included is a transcript of a public talk at Artsadmin called ‘Making Progress: Questioning the culture of ‘scratch’, 21 March 2013.

Collection/selection of past works since 2000. Images, power point presentation, CV, biographic statement, review of market stall performance in Toronto by Natalie Loveless as part of International Festival of Performance. Power point presentation of images from ‘In Place of Passing’ project initiated by Conolly and facilitated by Beyond Etc.

This publication brings together four ways of looking at Glorious, and includes: a short film made in response to six performances of the show; a music video shot in and around Lancaster and Morecambe; a critical overview of the process behind two iterations of the project; and The Glorious Storybook, a collection of essays and images from throughout the process.

Part of the Library of Performing Rights (LPR) (P3041).

First English language publication dedicated to Raimund Hoghe, operating as a collage,drawing together a variety of international voices to create a fragmented portrait of the artist

Leibniz, together with a host of guest artists, presents The Book of Blood, an ongoing performance and multi-performative experience that explores issues relating human rights and (dis)enfranchisement whilst aiming to facilitate the spectator’s active contribution in participation. Each visitor is invited to donate a drop of blood to be used as ink in the writing of the Universal Declaration of Human Rights into a thick, leather-bound book. This video and photographs are taken from PSI 12, Queen Mary, 2006. Includes a performance leaflet/document.

The CD includes a powerpoint presentation of the work by the Irish/Canadian artist and a short biography and artist statement.

Video documentation of the life of a project started in 2005. Part of East End Collaborations 2009.

Interview with Katerina Seda in The Believer Magazine about her practice. This article can be found in miscellaneous article folder number 3