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708 results | Page 27 of 71

Speaking of I.M.E.L.D.A

Editor: various | Reference: A0662 | Type: Article

Speaking of Ireland Making England the Legal Destination for Abortion is a London-based, direct-action feminist performance group, challenging the restrictions placed on abortion services in Northern Ireland and the Republic of Ireland and campaigning for access to safe, legal and free abortion services globally. Contains FAQ about the group, and a list of talks, events, exhibitions, activities, actions, and articles.
In Misc folder 5B.

Decolonial Actions

Editor: Christine Brault, Isil Sol Vil and Marina Barsy Jane | Reference: P2951 | Type: Publication

Documentation from the LADA event on (post)modern colonialism, held on on 13 Feb 2016.

Incudes a communal text, details on the event, reflections by Leo Kay, Laura Burns, Christine Brault, Isil Sol Vil and Marina Barsy Jane, and photos.

Part of the Study Room Ambassador scheme.

Manual Labours: The Complaining Body

Editor: Jenny Richards and Sophie Hope | Reference: P2949 | ISBN: 978-0-9570282-4-1 | Type: Publication

Third publication for the research project exploring physical and emotional relationships to work, focused on the process, findings and analysis of an 18 month long investigation into the physical and emotional affects of complaining, receiving complaints and not being able to complain in the context of work.

Published alongside an exhibition at the Peltz Gallery (6 February – 3 March 2016).

Performance Art Faction Paper

Artist/Author: Amber Hawk Swanson | Reference: P2942 | Type: Publication

Introduction to PAF; includes contributions by Hugh O’Donnell, Kris Grey, Fabiola Paz, Victoria Gray.

Losing the Human Form - A Seismic Image of the 1980s in Latin America

Reference: A0651 | Type: Article

Introductory note to the exhibition held at Museo Nacional de Arte Reina Sofia, 25 October 2012 – 11 March 2013.

This Article can be found in miscellenous folder 5B.

Pink Labor On Golden Streets - Queer Art Practices

Editor: Christiane Erharter, Dietmar Schwarzler, Ruby Sircar and Hans Scheirl | Reference: P2919 | ISBN: 978-3956791826 | Type: Publication

The publication builds on an exhibition and conference at the Academy of Fine Arts Vienna that explored the contradictory standpoints of queer art practices, conceptions of the body, and ideas of ‘queer abstraction,’ a term coined by Judith Jack Halberstam that raises questions to do with (visual) representations in the context of gender, sexuality, and desire. It is particularly concerned with where form and politics crossover, citing the various combinations, juxtapositions, and the play between artistic strategies.

Acts of Activism: Human Rights as Radical Performance

Artist/Author: D. Soyini Madison | Reference: P2912 | ISBN: 978-1107404380 | Type: Publication

Madison presents the neglected yet compelling and necessary story of local activists in South Saharan Africa who employ modes of performance as tactics of resistance and intervention in their day-to-day struggles for human rights.

The Art and Films of Lynn Hershman Leeson

Editor: Meredith Tromble | Reference: P2916 | ISBN: 978-0520239715 | Type: Publication

This first historical and critical analysis of the artist’s work by prominent scholars and the artist herself brings nearly forty years of creative output into focus by tracking the development of her constant themes through each medium. The essays range from formal to theoretical to psychological to poetical analyses. Includes a DVD.

Marina Abramovic: the House with the Ocean View

Editor: Amy Gotzler | Reference: P2904 | ISBN: 978-8881584369 | Type: Publication

For 12 days in November 2002, Marina Abramovic lived on three open platforms in the Sean Kelly Gallery in New York. She did not eat or speak, nor did have any privacy: the rooms were open and spectators were even invited to observe the artist through a high-powered telescope. This volume presents documentation of The House With the Ocean View alongside essays by the artist, her gallerist Sean Kelly, art historian Thomas McEvilley, curator Chrissie Iles, Cindy Carr, RoseLee Goldberg and Peggy Phelan.

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