A provocationinterested in exploring the meeting points between the obliteration of the possibility of physical motherhood (rupture of the body), a country disappearing in war (rupture of the land) and the reconstruction of the bio-political-history. Together these assert a new no-motherhood and post-motherland identity away from the exilic ruptures that define the end of the 20th and beginning of the 21st centuries in Europe.

The aim of this book is to offer perspectives on performance art practice with a focus on teaching. This subject has rarely been approached in the literature and this book gives insights and inspiration for all those teaching performance art as well as to anyone else interested in this art form.

Whether he’s creating a dance composed solely of everyday actions, working with an ensemble of children, or running a “dancing museum,” Charmatz’s work experiments with the body as a vessel for subjectivity, history, and collective action. 

Includes interviews, dialogues and critical writing on art and politics. In French.

Part of the Library of Performing Rights (LPR) (P3041).

Publication 'arrived' after participation in a six-day festival curated by  ]performance S p a c e[ in 2016.

Publicaition in honor of the 10th anniversary of FemLink-Art.

Part of the Library of Performing Rights (LPR) (P3041).

Exhibition catalogue: Intensity of Affect: performances, actions, installations – retrospective of Zoran Todorovic. Accompanies the project, Warmth, at the the 53rd Biennale di Venezia, held in Venice, at the Serbian Pavilion, June 7-Nov. 22, 2009.

In Serbian and English.

Explores the proposition presented by the incredible task of suspending a body from helium balloons, the relationship between the performer and the space, the object and the viewer, the possible and the impossible.

 Thirty-six mini scenarios of torture and execution which transform the small immaculate bodies of fruit into figures that seem to increasingly identify themselves with human beings.

 Thirty-six mini scenarios of torture and execution which transform the small immaculate bodies of fruit into figures that seem to increasingly identify themselves with human beings.