Catalogue > By Keyword > audience
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The New Rules of Public Art
Published to coincide with the launch of Public Art Now, a programme of events and discussions which explore new forms and approaches to public art.
Part of the Library of Performing Rights (LPR).
DemoKino: Virtual Biopolitical Agora
This textual and pictorial reader is more than just documentation of an art project. It combines contributions by theorists and a photocomic created from the original project’s texts and visuals by Dejan Dragosavac Ruta to reflect on the proposition of Janez Janša’s eponymous project.
Part of the Library of Performing Rights (LPR) (P3041).
The Forest and the Field
A polemical thinking-through of the whole concept of theatre as a ‘space’, and a politically motivated exploration of how, and where, that theatrical space meets the real world that surrounds and suffuses it.
Shoot an Iraqi: Art, Life and Resistance Under the Gun
The project received overwhelming worldwide attention and spawned provocative online debates; ultimately, Bilal was named Chicago Tribune’s Artist of the Year. Structured in two parallel narratives, the story of Bilal’s life journey and his Domestic Tension experience, Shoot an Iraqi is for anyone who seeks insight into the current conflict in Iraq and for those fascinated by interactive art technologies and the ever-expanding world of online gaming.
Relational Aesthetics
Where does our current obsession for interactivity stem from? After the consumer society and the communication era, does art still contribute to the emergence of a rational society? Bourriaud attempts to renew our approach toward contemporary art by getting as close as possible to the artists works, and by revealing the principles that structure their thoughts: an aesthetic of the inter-human, of the encounter; of proximity, of resisting social formatting.
Documenting Performance
The first book to provide a collection of key writings about the process of documenting performance, focused not on questions of liveness or the artistic qualities of documents, but rather on the professional approaches to recovering, preserving and disseminating knowledge of live performance.
It’s All Allowed: The Performances of Adrian Howells - review
Book review.
Imagined Theatres: Writing for a Theoretical Stage
Collects theoretical dramas written by some of the leading scholars and artists of the contemporary stage. These dialogues, prose poems, and microfictions describe imaginary performance events that explore what might be possible and impossible in the theatre.
Trans-Spectator: The spectator’s bodily participation in Via Negativa’s performance Bi ne bi
Explains the concept of the trans-spectator using the Slovenian theatre group performance (Would Would Not, 2005) as an example.
Schooling the Spectator in O
On Project O’s performances at the Forest Fringe Microfestival, Progress Festival, Theatre Centre, Toronto, Canada, February 2016
