This publication is an edition of Track Report dedicated to the archive of the event. The University Centre Saint-Ignatius Antwerp introduces two performance artists – Harry Gamboa, a Los Angeles-based Chicano artist, and Ria Pacqué, a Belgian body and performance artist – to the master students and to the Belgian art audience through a week of lectures, seminars, explorations and actions here documented. 

The video reconstruction of the 1977 production presented in this DVD keeps faith with the theater piece by registering, in a new composite, the vivid texture of time and memory that shaped the original production. Video reconstruction by Elizabeth LeCompte and Ken Kobland. This item can be found in the locked glass cabinet.

This article speculates about the new kinds of historical information that performance scholars may be able to preserve as a result of recent innovations in web archiving.

Documentation of projects investigating environments for societal production of civic understanding through a series of durational performances that encouraged discursive public encounters in civic squares and related urban environments.

A small selection of study room material on the subject of documention.

An exerpt from an integrated dance/film work, written, costumed, performed by and directed by Professor Aggiss, which fuses the screen mediated body and fictional and factual archive film as textually embedded into an original 60-minute live solo performance. This work continues to investigate the shifting nature of public presentation, structure and delivery systems within contemporary dance.

Document of essay presented at the Performing Documents Conference (Arnolfini, Bristol), 12-14 April 2013, exploring how performance archives can be situated in the cultural and critical context as sets of relations eliciting the meaning and force of events lived primarily in and through the in(tra)corporeal.

Existing as both a website and in free, printed form, this multi-layered, multi-voiced Guide is a key component of LADA’s “Restock Rethink Reflect Three” mapping and marking the impact of performance on feminist histories and the contribution of artists to discourses around contemporary gender politics. Curated by Lois Weaver in collaboration with Eleanor Roberts and LADA.

Are we there yet? Study Room Guide on Live Art and Feminism

The five works by Pauline Boudry and Renate Lorenz featured in this publication intervene in time-related discourses and practices. Texts by Mathias Danbolt, Diedrich Diederichsen, Elizabeth Freeman, Denis Pernet, Marc Siegel, conversation with the artists by Andrea Thal.

Film developed from the organisation and documentation of a Memorial for Hinchliffe held at Beaconsfield in London in 2012, and from the ongoing process of collecting and finding a safe space to house the Hinchliffe archive.

This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)