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Michael Mayhew collection
Includes documentation of:
– Someting Tender
– 3 : 3: 3
– For Always
Wild Philosophy: Raving, Running, Reading
Zine documenting the DIY 15 project; supported by Chapter Arts.
Y’HUP
Presents items from the Ivor Cutler archive to accompany the exhibition Ivor Cutler: Good morning! How are you? Shut up!
Goldsmiths CAA, 1st October – 4 November 2018.
The CY Post
A celebratory newspaper for the man who was never without one.
A.Bandit: A Secret Has Two Faces
The latest collaboration between Glenn Kaino and Derek DelGaudio, who work together as the conceptual performance art duo A.Bandit to make magical art.
TO YOU TO YOU TO YOU: Love Letters to a (Post)Europe
An intimate collection of letters, poetry and postscripts by artists and writers that seeks to connect, exchange and witness through the action, idea or form of a love letter. The book builds on a programme that took place at Bios, Athens (2015).
Weight of the Earth: The Tape Journals of David Wojnarowicz
At the height of the AIDS epidemic, Wojnarowicz began keeping audio journals, returning to a practice he'd begun in his youth. The publication presents transcripts of these tapes, documenting the artist's turbulent attempts to understand his anxieties and passions, and tracking his thoughts as they develop in real time.
Part of the Library of Performing Rights (P3041)
Everything Seemed Possible: Art in the 1970s
A selection of articles from the seventies, eighties, nineties, and the year 2000. The result is a fascinating chronicle and invaluable record of a turbulent period that gives an overview and survey of British art and its reception over the past thirty years which is wholly unprecedented in its scope.
Performance: Live Art, 1909 to the Present
A provocative history of live art traces the precedents of contemporary multi-media events to Bauhaus experimentalism and surveys the Futurists’ manifesto-like events, the Dadaists’ cabarets, and later “happenings” and “spectacles.”
Mesearch and the Performing Body
An anthology of Edward’s creative practice-led projects. Through the innovative practice of ‘mesearch’, in which the author is both theoriser and theorised, this study delivers a personal, creative narration, combining reflections and emotions in relation to self and performance.
