Catalogue > By Keyword > activism
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Calling Cards
Article on the eponymous exhibition which aims to raise awareness and purge the discrimination against Roma communities. In Hungarian and English.
In misc folder 7. Part of the Study Room Guide on Live Art and Displacement (P3107).
Borderlands/La Frontera: The New Mestiza
Rooted in Anzaldua’s experience as a Chicana, a lesbian, an activist, and a writer, the essays and poems in this volume profoundly challenge how we think about identity. Borderelands remaps our understanding of what a “border” is, presenting it not as a simple divide between here and there, us and them, but as a psychic, social, and cultural terrain that we inhabit, and that inhabits all of us.
Part of the Study Room Guide on Live Art and Displacement (P3107).
The Art of Being Many - A position paper
Paper setting out new forms of audience participation in political and ethical terms.
Part of the Study Room Guide on Live Art and Kids (P3091).
In misc folder 6.
Integration Impossible?: The Politics of Migration in the Artwork of Tanja Ostojic
Artist book published as a follow up to the eponymous exhibition; the book presents around 20 art projects realised between 2000 and 2008.
Kunstpavilion Innsbruck, 19 September – 8 November 2008.
Part of the Study Room Guide on Live Art and Displacement (P3107).
Strategies of Success
Book published alongside the eponymous exhibition (La BOX, Bourges); includes essays by the three authors, in English, Serbian and French.
Part of the Study Room Guide on Live Art and Displacement (P3107).
The Edges of Society: The Plays of Dea Loher
Introduction to Loher's play, with particular emphasis on Innocence – the play and Michael Thalheimer's 2012 production.
Hybrid collection
All issues (pilot-6) of the “international cross-artform bi-monthly”.
Oleg Kulik documentation
Includes:
– MOMMA film 7’42”
– Family of the Future, 22’22”
– I Can’t Keep Silence Any More, 2’42”
– Missionary, London 2012, 5’28; Moscow, 1995, 5’38 and 2’20”
– Pavlov’s Dog, 3’49”
– Two Kuliks, 5’58
Regina José Galindo documentation
Includes:
– Artist bio & CV
– Hermana, 2010, 1'50''
– Himenoplastia, 2004, 7'21''
– Juegos de poder, 2009, 11'10''
– La Verdad, 2013, 1:10'
– Lucha, 2002, 3'38''
– Perra, 2005, 5'31''
Ouch: Pain and Performance
A LADA screening programme for the 2016 Venice International Performance Art Week: a collection of documentation and artists’ films looking at pain and performance.
Includes:
Marina Abramovic – On ‘Rhythm O’, 1974, 2013, 3’07” ; Ron Athey – Ron’s Story, 2001, 4’44”; Marcel.Li Antunez Roca – Epizoo, 1994, 8’29; Franko B – Don’t Leave Me This Way, 2009, 5’03”; Wafaa Bilal – On ‘Shoot An Iraqi’, 2007, 2’21”; Rocío Boliver – Times Go By and I Can’t Forget You: Between Menopause and Old Age, 2013, 4’18”; Cassils – The Powers That Be, 2016, 2’24”; Bob Flanagan – Cystic Fibrosis Song, 1990’s 1’32”; Regina Jose Galindo – Lucha, 2002, 3’37”; jamie lewis Hadley – this rose made of leather, 2012, 9’10”; Nicola Hunter & Ernst Fischer – Passion/Flower, 2012, 4’02”; Oleg Kulik – Dog House 1996, 4’10”; Martin O’Brien – Taste of Flesh, 2015, 2’59”; Kira O’Reilly – Wet Cup, 2000, 2’29”; ORLAN – Successful Operation, 1990, 6’16”; Petr Pavlensky – Radical Artist In Court – Ukraine Today News Item, 2015, 1’57”
