Catalogue > By Keyword > activism
546 results | Page 21 of 55
DemoKino: Virtual Biopolitical Agora
This textual and pictorial reader is more than just documentation of an art project. It combines contributions by theorists and a photocomic created from the original project’s texts and visuals by Dejan Dragosavac Ruta to reflect on the proposition of Janez Janša’s eponymous project.
Part of the Library of Performing Rights (LPR) (P3041).
7th Asiatopia and First S.E. Asia Performance Art Symposium (SEAPAS)
Catalogue; 24-27 November 2005, Bangkok, Thailand.
Part of the Library of Performing Rights (LPR).
The Journal of Aesthetics and Protest Issue 4
Volume 1, Issue 4.
Part of the Library of Performing Rights (LPR) (P3041).
The Art of Truth-telling About Authoritarian Rule
The illustrated volume examines the creation of stories, accounts, images, songs, street theatre, paintings, and ideas that pay witness to authoritarian pasts.
Part of the Library of Performing Rights (LPR) (P3041).
The GCI Archive 1989-2004
Documentation, including email, relevant media coverage and expert articles, on the Global Commons Institute.
Part of the Library of Performing Rights (LPR) (P3041).
Drunken Boat: Art Rebellion Anarchy
Collection of essays on art and anarchism.
Part of the Library of Performing Rights (LPR) (P3041).
AIDS Demo Graphics
Depicts a history of demonstrations, sit-ins and similar steps taken by ACT UP and other groups.
Part of the Library of Performing Rights (LPR) (P3041).
I WON’T DO WHAT YOU TELL ME
Part project part catalogue: split into three distinct sections the book brings together artists and academics to explore the impact of gentrification and the possibility of resistance.
Gustav Metzger: Act or Perish! - A Retrospective
Accompanies the first extensive overview of Auto-Destructive art pioneer, organized in 2015–16 at the Centre of Contemporary Art in Torun, Kunsthall Oslo and Stiftelsen Kunstnernes Hus in Oslo.
Life and Death on the New York Dance Floor, 1980-1983
Interviewing DJs, party hosts, producers, musicians, artists, and dancers, Lawrence illustrates how the relatively discrete post-disco, post-punk, and hip hop scenes became marked by their level of plurality, interaction, and convergence. He also explains how the shifting urban landscape of New York supported the cultural renaissance before gentrification.
