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Restock, Rethink, Reflect

Restock, Rethink, Reflect is an ongoing series of initiatives for, and about, artists who are engaging with issues of identity politics and cultural diversity in innovative and radical ways, and which aims to map and mark the impact of art to these debates, whilst supporting future generations of artists through specialized professional development, resources, events and publications.

As Live Art is an interdisciplinary and ephemeral area of practice, there are many challenges to its documentation, archiving and contextualization, which can lead to the exclusion of significant artists and approaches from wider cultural discourses and art histories. This is particularly the case for culturally diverse artists, whose experiences and practices are often sidelined within UK’s cultural histories.

Restock, Rethink, Reflect sets out to address these challenges by marking the critical historical contributions of artists, mapping dynamic current practices and looking to the future.

Other projects in Restock, Rethink, Reflect

An ongoing series of initiatives mapping and marking representations of identity politics in Live Art

Ongoing

Restock, Rethink, Reflect Four: on Live Art and Privilege

A project focusing on issues of Live Art and privilege

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Restock, Rethink, Reflect One: on Live Art and Race

Specialized professional development, resources, events and publications.

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Restock, Rethink, Reflect Three: on Live Art and Feminism

Marking the impact of performance on feminist histories and contemporary gender politics

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Restock, Rethink, Reflect Two: on Live Art and disability

A range of projects and activities exploring how artists are representing issues of disability in radical ways.

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Banner image credit:

Noëmi Lakmaeir “Undress/Redress”, commissioned as part of Restock, Rethink, Reflect Two: on Live Art and disability. Photograph: Manuel Vason.

Also

Ongoing

Restock, Rethink, Reflect Five: on Managing The Radical

An ongoing project considering the idea of managing the radical (or radicalising the management).

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Activations London and Liverpool, October 2004

Launching Live: Art and Performance and The Performance Pack at Tate Modern and Tate Liverpool.

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Documenting Live!

A major new publication on the representations of cultural difference in performance.

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Ongoing

LADA Unpacked

Bespoke opportunities for international presenters and artists to engage with Live Art

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British Festival of Visual Theatre 1999

Stacy Makishi’s Suicide For Beginners (a work in development).

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It Could Only Happen Here: Jim Dahl’s unreal Boat tour

A new live work by Tim Bromage commissioned for the Floating Cinema 2013

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FRESH AiR

Opportunities for emerging artists and recent graduates in collaboration with Queen Mary, University of London

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Crossovers

Screenings, talks and a DVD series of artists’ films, documentaries and dialogues, concluding Performance Matters

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Donation