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Sweet and Sour and Super-t-Art

Notes

Examines how Hannah Wilke explored the relationship between sexual and gustatory taste in her performance ­Super-T-Art (1974), which she created for Jean Dupuy’s event Soup & Art held at the Kitchen in New York Cit

Artist / Author Emily Elizabeth Goodman
Publisher Routledge
Reference A0828
Date 2017
Journal Performance Research
Journal date Oct / Nov 2017
Journal page 82-91
Type Article

Keywords

body consumption femininity feminism feminist art food gender male gaze mass culture men performance art rhetoric sex sexism taste women

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